Chú thích Quãng_tám

  1. ↑ Cooper, Paul (1973). Perspectives in Music Theory: An Historical-Analytical Approach, p.16. ISBN 0-396-06752-2.
  2. ↑ William Smith and Samuel Cheetham (1875). A Dictionary of Christian Antiquities. London: John Murray. 
  3. 1 2 3 Burns, Edward M. (1999). "Intervals, Scales, and Tuning", The Psychology of Music second edition,, p.252. Deutsch, Diana, ed. San Diego: Academic Press. ISBN 0-12-213564-4.
  4. ↑ e.g., Nettl, 1956; Sachs, C. and Kunst, J. (1962). In The wellsprings of music, ed. Kunst, J. The Hague: Marinus Nijhoff.
  5. ↑ e.g., Nettl, 1956; Sachs, C. and Kunst, J. (1962). Cited in Burns, Edward M. (1999), p.217.
  6. ↑ The mechanism of octave circularity in the auditory brain
  7. ↑ Bharucha 2003, cited in Fineberg, Joshua (2006). Classical Music, Why Bother?". Routledge. ISBN 0-415-97173-X. Cites Bharucha (2003).
  8. ↑ Demany L, Armand F. The perceptual reality of tone chroma in early infancy. J Acoust Soc Am 1984;76:57–66.